Showing posts with label psychology. Show all posts
Showing posts with label psychology. Show all posts

Thursday, June 23, 2022

Is Consciousness an Illusion?

A famous psychological experiment in the 1980s seemed to prove that the brain "decides" to take actions before the conscious mind makes the choice to do so, and the decision we think we're making is only a rationalization after the fact:

Scientists Still Haven't Figured Out Free Will

Many experts in the field have reservations about this "proof" and have pointed out flaws in that interpretation of the results. A Wikipedia article goes into great detail about this experiment and other aspects of the "free will" issue in psychology:

The Neuroscience of Free Will

There's also a psychological theory that the "self" we think we have or are is an illusion, a trick the brain plays on itself. For one thing, our concept of our own identity arises from continuity of memory, an imperfect process riddled with gaps and reconstructions.

Here's one analysis of that issue:

The Illusion of the Self

The author of this article, Sam Wolfe, summarizes cognitive scientist Bruce Hood's thesis that our "selves are generated by our brain in order to make sense of our thoughts and the outside world: both ‘I’ and ‘me’ can be thought of as a narrative or a way to connect our experiences together so that we can behave in an biologically advantageous way in the world." Wolfe endorses this position and cites support for it dating back many centuries, to 18th-century philosopher David Hume and, much further, as a traditional tenet of Buddhism. What we think of as our "self" arises from the brain as a "narrative-creating machine." As Wolfe puts it, "Essentially, our brains are always thinking in terms of stories: what the main character is doing, who they are speaking to, and where the beginning, middle, and end is; and our self is a fabrication which emerges out of the story-telling powers of our brain."

I wholeheartedly agree that the creation of stories is an essential aspect of the human brain, part of what makes us human. I can't agree with people such as Bruce Hood and Sam Wolfe, however, on their insistence that the narrative of a unified self doesn't correspond to reality. We visualize the self as a little cartoon person at a control panel somewhere in our head, directing the subordinate brain functions, or maybe, as in the animated film INSIDE OUT, a small committee of persons in a control center making executive decisions. Only a metaphor, of course, but regarding the singular self as an illusion seems to generate an intractable problem.

Since, as Hood and Wolfe acknowledge, "everyone experiences a sense of self – a feeling that we have an identity," if this sense of self is an illusion, a construct the brain creates to enable us to function in everyday life, who is the "us" believing the illusion? This theory seems to lead to an infinite regress of "selves" being fooled. Also, it seems to me a not-insignificant objection that it's impossible in practice to live as if one believes no actual self exists, or not for long anyway. And, again, who's doing the believing?

Margaret L. Carter

Carter's Crypt

Thursday, June 24, 2021

Woebot

"Virtual help agents" have been developed to perform many support tasks such as counseling refugees and aiding people to access disability benefits. Now a software app named Woebot is claimed to perform actual talk therapy:

Chatbot Therapist

Created by a team at Stanford, "Woebot uses brief daily chat conversations, mood tracking, curated videos, and word games to help people manage mental health." For $39 per month, you can have Woebot check in with you once a day. It doesn't literally talk but communicates by Facebook Messenger. The chatbot mainly asks questions and works through a "decision tree" not unlike, in principle, a choose-your-own-adventure story. It follows the precepts of cognitive therapy, guiding patients to alter their own mental attitudes. Woebot is advertised as "a treatment in its own right," an accessible alternative for people who can't get conventional therapy for whatever reason. If the AI encounters someone in a mental-health crisis, "it suggests they seek help in the real world" and lists available resources. Text-based communication with one's "therapist" may sound less effective than oral conversation, yet in fact it was found that "the texting option actually reduced interpersonal anxiety."

It's possible that, within the limits of its abilities, this program may be better than a human therapist in that one respect. Many people open up more to a robot than to another person. Human communication may be hampered by the "fear of being judged." Alison Darcy, one of the creators of Woebot, remarks, "There’s nothing like venting to an anonymous algorithm to lift that fear of judgement." One of Woebot's forerunners in this field was a computer avatar "psychologist" called Ellie, developed at the University of Southern California. In a 2014 study of Ellie, "patients" turned out to be more inclined to speak freely if they thought they were talking to a bot rather than a live psychologist. Ellie has an advantage over Woebot in that she's programmed to read body language and tone of voice to "pick up signs of depression and post-traumatic stress disorder." Data gathered in these dialogues are sent to human clinicians. More on this virtual psychologist:

Ellie

Human beings often anthropomorphize inanimate objects. One comic strip in our daily paper regularly shows the characters interacting and arguing with an Alexa-type program like another person in the room and treating the robot vacuum as if it's at least as intelligent as a dog. So why not turn in times of emotional distress to a therapeutic AI? We can imagine a patient experiencing "transference" with Woebot—becoming emotionally involved with the AI in a one-way dependency of friendship or romantic attraction—a quasi-relationship that could make an interesting SF story.

Margaret L. Carter

Carter's Crypt

Thursday, October 22, 2020

Horror as a Coping Mechanism

It comes as no surprise to me that a recent psychological study suggests horror fans may be uniquely well prepared to confront scary realities:

Horror Fans Prepared to Cope with Our New Reality

"How does horror teach us?" One authority quoted in the essay says, “What’s special about horror is that the genre lets us chart the dark areas of that landscape [of hypothetical frightening scenarios] — the pits of terror and the caves of despair.” Horror fiction serves as rehearsal for confronting our real-life fears. Its function as "catharsis" is also discussed. Moreover, its monsters and other threats often work as metaphors for societal anxieties. The familiar example of Romero's undead in NIGHT OF THE LIVING DEAD is cited as reflecting the "existential" fears of its time.

In his history of horror, DANSE MACABRE, Stephen King argues that all such fiction is ultimately designed to grapple with the fear of death. Death is "when the monsters get you." This essay mentions King's PET SEMATARY as a story that explores the potentially tragic consequences of evading the reality of death.

One of the study's co-authors praises the "prosocial" dimension of horror. “Horror fiction is very often about prosocial, altruistic, self-effacing characters confronting selfish, anti-social evil." Much classic horror focuses on good versus evil, with the heroes working together to defeat the monsters. DRACULA and the majority of vampire fiction inspired by it offer obvious examples. Of course, not all horror follows this pattern. Sometimes it's bleak and hopeless, with no objective "good" or "evil" in the universe, as in Lovecraft's Cthulhu Mythos stories, in which protagonists who survive usually do so by sheer luck. However, even horror without the religious or spiritual worldview of a vampire tale wherein heroes brandish crosses or King's IT, wherein the heroes know "the Turtle can't help us" yet draw upon a still higher power beyond both It and the Turtle, can showcase the bonds among human beings who fight together against larger-than-life threats.

Therefore, I've always thought it's strange that some people consider reading, watching, or (gasp!) writing horror a symptom of a warped psyche.

Margaret L. Carter

Carter's Crypt

Tuesday, June 05, 2018

Theme Element Giving And Receiving Part 2 Science of Science Fiction by Jacqueline Lichtenberg

Theme Element Giving And Receiving
Part 2
Science of Science Fiction
by
Jacqueline Lichtenberg

Part 1 is here: http://aliendjinnromances.blogspot.com/2012/05/theme-element-giving-and-receiving.html

Scroll down through Part 1 (which doe not have a "part" label) and you will find a list of previous posts discussing Giving and Receiving -- which is the subject of the Science Article published in 2018 that we will study in this post. 

We shall have to discuss "Strong Characters" in greater depth in future posts, but the source of Character strength in story, especially Romance, is Theme so we will analyze this science article in terms of science fictional themes it can be used to generate, giving your Romance Couple-to-be an obstacle to conflict with and conquer. 

The obstacles you can generate from this science article are genuinely "ripped from the headlines."  People are grappling with these problems, groping in a fog, trying to chart a life-path for themselves in spite of living in a world in turmoil.  Propose a useful analysis and they will memorize your byline and Tweet about your novel.

Where a Character stands on an issue (a theme) makes that Character a memorable individual whose name readers remember, and even make symbolic (like the strong and memorable Character,  MacGyver).

MacGyver refused to carry or use guns, so when he needed a weapon, he created one out of whatever innocuous bits and pieces were in reach.  This clearly demonstrates:

THEME: tools do not cause behavior.  Anything can be a weapon. 

The Strong Character's stance on a specific Headline Issue generates the Conflict for your story.  Your story opens when the Character takes up his stance on that issue to fling him/herself against some opposing Force or Obstacle, in order to achieve a Goal.

The Duke's Daughter fleeing an Arranged Marriage is one cliche that illustrates how a Strong Character can be depicted "taking a stance."

The segment of a Character's life that is "His Story" is the segment where the Character leaps (willingly or willfully) toward the bottom rung of the karmic ladder dangling from the Divine Helicopter come to the rescue. 

It is that vision of "this is what I must do in this life" -- this is what I will achieve that is worth my life -- that sends a Character into "his story" in do-or-die mode.  That is this individual's reason for living.  All else is commentary or gravy, or just noise (Red Herring) to distract.

Note how all of this is about Character, about people (human or not-so-much).  It can be about an AI - an artificial intelligence, a robot.  You could have a strong Character who is not biological.

The opposing Character also has a goal.  The nature of that Goal is what gives the reader a clue about whether the opposition is a Villain or just a different sort of Hero who can be won over.

But it is not just the nature of the Goal that defines a Villain.  Generally speaking, we view those who "want to rule the world" as Villains.  It is the methods the Characters are willing to use that distinguishes Hero from Villain.  Generally speaking "the end justifies the means" defines the Villain.

Thus MacGyver is viewed as a Hero because he finds other means to thwart his opposition rather than guns and killing.  He hurls himself into danger, takes insane chances, depends on his physical strength and agility - but never neglects to protect and rescue. 

So is MacGyver a Republican or a Democrat?  Is MacGyver a Conservative or a Liberal?

When the TV Series first came on the air in 1985 (keeping in mind "development" would have been 1980-1984)
https://www.amazon.com/MacGyver-Pilot/dp/B000HL2J0G/
the definitions of "Conservative" and "Liberal" were totally different than they are in 2018.

In fact, the two-party system in the USA causes the parties to redefine themselves continuously after each election.  So the definition of "Republican" and "Democrat" changes, as do those who "register" with one or the other party.  Most people probably don't bother to change registration as they change their minds and the Party changes definition. 

Few vote in Primaries which is all Registration matters for, so bottom line for a Science Fiction Romance Writer (even writing contemporaries) is that there is no definition of Conservative or Liberal -- you have to make up your own.

That means you have to know more about the philosophy behind "Conservative" and "Liberal" than your readers do. 

The stances on issues reverse rapidly between Conservatives and Liberals. 

As noted in previous posts, humans tend to subjugate themselves to a Group in order to "fit in."  This process is painful and what makes High School sheer hell for most. 

Culture-clashes are the meat and potatoes of science fiction -- the very definition of "Alien From Outer Space" is "From A Non-Human-Culture."  If the alien's culture complements the human's, it can work out peacefully.

But most humans, of any culture, are not so accepting.  What exactly does it take for a Strong Character to set aside preconceptions and explore the Alien?  Here are a few posts nibbling at the edges of that topic.

https://aliendjinnromances.blogspot.com/2018/05/defining-and-using-theme-part-2-love-vs.html

https://aliendjinnromances.blogspot.com/2018/03/theme-plot-character-worldbuilding.html

Currently, a number of scientific studies of human brains vs political leaning are trying to show a scientific basis for the right-ness or wrong-ness of certain views of what government is, what it is for, what it must not be used for, and why humans keep inventing government.

The "we have to get organized" chant that erupts whenever a random group of humans comes together to pursue a common goal (we must get Federal funds to fix this bridge -- we must attract a company to build a hospital in our town -- we must elect this fellow to get better funding to Community Colleges.  Whatever the community goal, "we" have to get organized.

Throughout human history, it has been shown that the better organized groups "win" or prevail in some way.  A single human really can't do much until or unless he/she attracts a following that "gets organized" to support him/her.

In other words, humans choose "leaders" and the followers get organized.

Labor Unions are a good example.  Mobs yelling and throwing bricks didn't do much good until they got organized.  Now they can hold huge companies hostage during a strike because the individuals all move together.

So science has been studying the difference between Good and Evil using "liberal" and "conservative" as proxies, trying to peg the brain configuration that defines the difference.

http://www.businessinsider.com/psychological-differences-between-conservatives-and-liberals-2018-2

There have been a lot of studies on brain development which I've mentioned in passing, showing how experiences rewire the brain, how learning develops different brain regions, how sensory deprivation shrivels other brain regions, and how traumatic experiences change the brain and even genetic expression.

Human beings are among the weakest animals on this planet - no shell, no pelt, poor hearing, so-so eyesight, not very fast runners, very tasty eating.  Many have concluded that our main survival trait is our brains.

The idea is that the ability to think, to theorize, to make and use tools and language, to create records and teach the young, is our survival trait. 

At the moment, our tools and technology seem to be killing us (pollution, global warming, species extinctions among our food supply, over-hunting/fishing). 

So maybe our brains are not our biggest survival advantage.

Perhaps it is our adaptability that will get us through this?

The blows hammering our children from the environment reshape the children so that the resulting adult thinks differently.

Cyberbullying, tackled in...

http://aliendjinnromances.blogspot.com/2017/09/depiction-part-32-depicting-brain-to.html

...will, no doubt, produce a generation more adapted to the larger social structures forming online -- utterly alien to Middle Ages Villagers.

But as Science Fiction Romance writers, we are futurologists.  It's not enough to look back and find trends rooted in the 1980's like MacGyver (now revived).

We have to look deeply at the present and project what trends will become visible to the public 30 to 50 years from now.

One big trend is the movement to substitute Science for Religion.  Since it is "Settled Science" that humans caused Global Warming, anyone who doesn't believe that human activity is causing human extinction is a) stupid, b) evil, c) The Enemy of Civilization -- or d) worse.

If you think Global Warming is caused by human activity, you are excluded from the group.  If your conclusion is the result of thinking from facts, you might change your mind.  Those desperately dedicated to stopping Global Warming and saving humanity from itself can not risk that.

You must believe because Science says so -- just as Galileo was required to believe because someone said the Bible said so (which it didn't, and he knew it.)

Believing means taking someone else's word as truth, replacing what you think with what they believe.  Humans urgently desire this kind of agreement with their Group -- survival depends on being integrated into a Group (e.g.
getting organized).

Suppose that is the trait your Aliens do not share with humans.  What kind of Strength of Character will your Main Character (MC) need to Love across a gap like that? 

To discoverer where to find such traits in human nature, examine this research on the human Brain and political leanings.

http://www.businessinsider.com/psychological-differences-between-conservatives-and-liberals-2018-2

-------quote-------
Scientists have discovered the key psychological differences that can make you liberal or conservative by 
Hilary Brueck  Feb. 26, 2018, 10:50 AM

... Being scared can make you more conservative.
Being scared can make you more conservative.
Decades of research has shown that people get more conservative when they feel threatened and afraid

....A conservative brain is more active in different areas than a liberal one.
Brain scans show that people who self-identify as conservative have larger and more active right amygdalas, an area of the brain that's associated with expressing and processing fear. This aligns with the idea that feeling afraid makes people lean more to the right.

...On the other hand, feeling safe and endowed with strength might make you lean a little more liberal than you otherwise would.
Groundbreaking research that Yale psychologists published in 2017 revealed that helping people imagine they're completely safe from harm can make them (temporarily) hold more liberal views.

...Liberals are less squeamish about looking at yucky stuff like vomit, feces, and blood.

A 2018 study of college students showed that those with more socially conservative views were quicker to physically look away from disgusting images — like pictures of blood, feces, or vomit — than their liberal peers.

...Conservatives tend to display more ordered thinking patterns, whereas liberals have more "aha" moments.

A 2016 study at Northwestern University found that when conservative and liberal college students were given word problems to solve, both groups managed to arrive at some correct answers through gradual, analytical analysis. But when feeling stuck on a problem, liberals were much more likely to draw upon a sudden burst of insight — an 'aha' moment, like a lightbulb turning on in the brain.

...Liberals tend to follow the wandering gaze of others more often, while conservative eyes stay more focused on the original subject they're looking at.

In 2010, researchers at the University of Nebraska tested whether conservatives and liberals physically see the world in different ways. They found that when it comes to matching the gaze of other people, the two groups differ.

...Holding conservative views seems to make people more resistant to change and help them explain inequality.

A 2003 review of decades of research on conservative people suggested that their social views can help satisfy "psychological needs" to make sense of the world and manage uncertainty and fear.

...Liberal and conservative tastes in music and art are different, too.

Studies from the 1980s showed that conservatives preferred more simple paintings, familiar music, and unambiguous texts and poems, while liberals enjoy more cubist and abstract art.

...Liberals are more likely to describe themselves as compassionate and optimistic, while conservatives are more likely to say they're people of honor and religion.

A 1980 study of high school students found conservative students at that time were more likely to describe themselves as "responsible," "organized," "successful," and "ambitious," while liberal students might describe themselves as "loving," "tender," or "mellow."

...Conservatives believe they have more self-control.

One 2015 study found that conservative students were often better at focusing their attention on a cognitive task called the Stroop color and word test. The common psychological study tool asks participants to quickly name the correct color of a word that's written on a different color background.

...Liberals and conservatives extend feelings of compassion to different people.

New research shows that conservatives tend to express compassion to smaller social circles than liberals.

--------end quote------

I just cropped some headlines from that article.  If you can find it, read it all, or just read up on the studies cited, and more recent follow-up studies.

All these studies suffer from the same flaws - A) assuming that statistics works both ways (if a Group has a Characteristic, all members of that Group have that Characteristic), B) Recruiting College Students to study, who are typically young and still being "formed" by "life" then applying results to 60-somethings.

But those flaws can be used, in fact leveraged, by Fiction Writers to great advantage.

A novel needs a target audience, and audiences are defined most easily by studies such as these listed in the quotes above.

College age students are most likely to be the readers for Science Fiction and for Romance, and Science Fiction Romance.  They love Fatansy, Paranormal Romance and all the mixed genres.  It was college dorm TV's that were turned to Star Trek on first run -- thus missed by the Nielsen rating service.  Studying college students tells you more about what will happen 20 years from now than about what is happening now.

If you are writing Science Fiction Romance that will be a "Classic" -- you should aim at what current college age people want to read.

So consider how the definitions of Conservative and Liberal have morphed over decades.  Then consider how both Republican and Democrat Parties have both Liberal and Conservative members, and how they agree or disagree on different issues.

A given Character can be Liberal on Gun Control and Conservative on Federal Reserve Policy -- and not see a contradiction.

Is there a contradiction?  Can you find a pair of issues which do contradict?

Where would your sexy-hunk Alien From Outer Space stand on Video Game Violence causes children to grow up violent?

A number of studies have shown that kids are more prone to solve social problems with force after playing a Video Game that uses force as the solution, not the problem.

That is solid, settled science -- but is it true?  Maybe it's true of humans but not your Aliens? 

Maybe it is true of 21st Century American kids but not of 21st Century human kids raised on an Alien Planet among Aliens (or in the far future or a parallel Earth?) 

We have science measuring the effect of violent video games on children -- but not a lot of research on anti-violent video games played by children.  Are there any? 

Now consider how "threatened" the kids growing up in the war-hammered Middle East (Syria and so on) -- the terrorist threatened European cities flooded with migrants -- will Syria and Europe (the bastion of modern Liberalism) suddenly turn Conservative 20 years from now?

Or will the threat be over and all those people who grew up under danger and threat suddenly turn Liberal because they feel safe at last?

These issues reflect the Theme Element of Giving and Receiving. 

People "feel safe" when they are "given protection." 

One goal of parenting is to give your children a good childhood, free of the life-or-death concerns of adulthood, 

So feeling "safe" is defined as the psychological condition of childhood - of being "innocent" and not knowing how dangerous the world is, or how easy one mistake can destroy your life.

People "feel powerful" when they are "giving protection."

One of the sexiest bits of dialogue in Romance is, "I will protect you."  We write a lot about rescuing.  We love the scene where the big, strong, muscled Hunk places himself between the slender, near-naked Princess and takes the bullet for her.

Our culture regards being protected as the female goal in life, while doing the protecting is the male goal.

That cultural assumption is under attack, and is morphing before our eyes, faster than 40-something parents can adjust (adapt, changing their brains).

The most important element in Romance is RISK.  We write about "bearing the Soul" in the lead-up to the "I love you" scene.  Saying it first is the biggest risk most people take in a lifetime.

We write about the muscled Hunk who vanquishes amazingly horrible threats but can't take the risk of saying, "I love you." 

Which is the stronger Character, the one who says it first, or the one who says it second? 

Who is the Hero - the one who feels safe and thus freely gives compassion at no risk, or the one who feels threatened and thus freely gives safety at great risk? 

Which brain is the lover, and which brain is the beloved?

We talked about how people consider Political affiliation as a deal-breaker element on Dating Sites in this post: 

https://aliendjinnromances.blogspot.com/2018/05/defining-and-using-theme-part-2-love-vs.html

The THEME element of giving and receiving, and how it functions (male to female) in a Relationship is vitally important to the HEA ending of your Romance, but it comes into even greater importance when the Couple is raising children.

https://amazon.com/Shooting-Sports-Women-Shotgunning-Outdoorswoman/dp/0312147333/
Children, we hold in our culture, must be "protected" -- and they must "feel safe" (i.e. have their brains configured for Liberalism).  Thus we explode at each other over issues related to School Shootings, School Safety and even "what" may be taught in the curriculum.  (can a High School host ROTC? Riflery Team?) 

Who has Power -- someone must because we can't have civilization without someone holding Power to force others to behave properly.  Left to themselves, humans just won't behave properly. 

Ponder that quote from the article saying that "Conservatives" (defined by those with a more active amygdala ) believe they have more self-control.  It does not say, but seems to follow that Conservatives expect OTHERS to have more self-control.

Conservatives may discipline their children to develop self-discipline and thus admire and strive for self-control.

If you read Romance novels from pre-MacGyver 1970's and then read on by year, you will likely find the preponderance of Romance novels shifting to the "irresistible" model of human nature.

Lust, sex, and the intense attraction to the Soul Mate is "irresistible" -- and the excuse for having inappropriate sex is "I could not resist." 

We can't resist the urges of the flesh.  The body has power over us.  If it feels good, do it. 

These are themes rooted in the philosophical context of the "Self" that has "Control" being the animal body.

"Irresistible" is a word that depicts the entire philosophy behind the World the writer has built.  Sex, lust, CAN NOT BE resisted.  The "self" that has all the power is the animal flesh.  If there is a Soul, it is powerless.

If, on the other hand, the author uses the wording, "I could not resist" - there is the admission of guilt, of not having developed a Strong Character.

And here we come to the definition of Strong Character in the fictional sense.

What is Character -- not the fictional representation of a person, but in real life, the attribute of a complete human called Character?

Here is an idea to ponder until it becomes a THEME in your mind.

Character is the Relationship between body/flesh and soul/identity.

A Strong Character is a Soul that has made a strong ally of the Body -- so the Soul feels safe and the Body feels safe.  Neither needs to bully or be armed against the other -- Inner Peace reigns.

A Weak Character is a Body that dominates and bullies the Soul, seizing any opportunity for instant gratification of bodily lusts (for food, sex, money, power). 

Delayed gratification is the sign of a Body/Soul on the path to being a Strong Character.

A truly Strong Character, completely matured, has no inner conflict.

Remember, External Conflict is a reflection of Inner Conflict in the Character who will "Arc" (or morph or change or grow or learn) during the story.

The truly Strong Character has no internal conflict, and thus is way past where his/her story happens do him/her.

So Main Characters who are "Strong" are not strong in every trait.  They have lessons to learn, chiefly the lesson "I love you." 

But perhaps, in Science Fiction Romance, the biggest and hardest lesson to learn is never to believe in science.  Science is about thinking, so new evidence can change your thinking.  There can be no believing in Science.  In Romance, the biggest and hardest lesson is to Believe in the Beloved -- through thick and thin, in sickness and in health, never waver in belief in that beloved Soul's innate spirit. 

Can "belief" span the political gap?  Can Love conquer Politics?

Jacqueline Lichtenberg
http://jacquelinelichtenberg

Thursday, October 05, 2017

Trusting the Experts

I'm rereading FOR HER OWN GOOD: TWO CENTURIES OF THE EXPERTS' ADVICE TO WOMEN, by Barbara Ehrenreich and Deirdre English (actually, the first edition, titled "150 Years of..."):

For Her Own Good

The book deconstructs medicine and psychology in particular, as one would expect, but also new disciplines such as "domestic science" (aka home economics, invented in the late nineteenth century). The venerable doctrine that overuse of the mind, especially in pursuit of "masculine" fields of study, ruined women's physical health and rendered them unfit for their natural purpose, reproduction, is only the most blatantly appalling of the now-discredited theories exposed in this historical survey.

The book serves as a reminder of how "science-based" recommendations offered to the public can change from century to century, decade to decade, and sometimes year to year. Around 1900, American housewives were encouraged to protect their families' health by obsessive cleaning in an attempt to make the home germ-free (an impossible goal in a normal household anyway). Nowadays, it has been discovered that an excessively clean environment in childhood promotes allergies. In the first half of the twentieth century, some doctors recommended smoking as a weight-loss strategy (as mentioned in Stephen King's novella "The Breathing Method"). In the same period, mothers were urged to put their babies on rigid schedules and told that picking up a baby between feedings or cuddling and playing with him or her would lead to all sorts of mental and moral ills. At the time of my first pregnancy, obstetricians badgered pregnant women to starve themselves into a weight gain of twenty pounds or less (not only almost impossible for most women but unhealthy). Eggs used to be considered evil because of their cholesterol content. Now we know dietary cholesterol has little or no direct effect on blood cholesterol; the main culprits are trans fats.

That's what we know now, at least. What guarantee do we have that the latest findings of modern science will remain THE authoritative truth instead of being superseded as many earlier truths have been? Yet the average layperson has to trust the experts, since she doesn't have the background to evaluate the research herself. (And then there are pseudo-scientific fads, which the Internet sometimes makes hard to distinguish from legitimate science.) The best we can do is exercise critical reading and thinking skills as we compare claims—which a liberal education is supposed to teach us to do, as mentioned in last week's blog post. Faith in the pronouncements of authorities is often scorned as a fallacious mode of thought, but we all accept authority as the basis for many of our beliefs. Even the most widely educated genius can't be an expert in everything.

I once came across mention of a story (don't know the author or title) in which the magicians of the world "came out" and revealed that all the alleged technological marvels of modern society were, in fact, created by magic. For many of us in relation to many fields of technology, "a wizard did it" would sound just as plausible as the scientific explanation.

Margaret L. Carter

Carter's Crypt

Tuesday, September 02, 2014

Depiction Part 1 - Depicting Power In Relationships

Depiction Part 1
Depicting Power In Relationships
by
Jacqueline Lichtenberg

Depiction essentially means to symbolize, to draw a picture, a sketch that will evoke the essential attributes you think are singular or recognizable about the subject.

Depiction is a subset of Show Don't Tell. 

Depiction is based on an agreement between depictor and recipient. 

It's the brain trick that lets us look at a scrambled page full of LINES and "see" a map, and understand it as a depiction of a territory (real or imagined).

Writers depict both concrete and abstract elements in mere words.  Readers agree to accept the emphasis the writer's selection of certain attributes and omission of other attributes to "depict" a character, situation, philosophy, threat, conflict, or the stakes in a transaction.

If the writer writes, "It was a dark and stormy night ..." the reader may KNOW there were some street lamps or car headlights (or carriage lanterns) but at the same time understand that the main character's emotional "place" is inside the primal threat-zone that dark and stormy nights were for cavemen. 

The character is aware of the light, but seeing only the dark. 

Emotional tone is created by a mental filter that can be set to see only the rosy-sunshine or only the slimy-dark-shadowed crannies full of dirty snow.

Thus in a few words, a writer can DEPICT an emotional state by sketching a few concrete and familiar things, all in words.

Most beginning writers get this trick right away, and have a lot of fun with it.

The next, and somewhat harder trick to learn with Depiction is to depict the Relationships between characters in show don't tell.

A) Relationships are two-sided at least.
B) Relationships are intangible
C) Relationships shift and change (ARC just like Characters do, and in step with the characters changes).
D) Relationships are mostly subconscious -- the characters themselves are not aware of the dynamic parameters driving a Relationship.

How do you "depict" the dynamic changes driving a Romance? 

What does he see in her or what does she see in him?  Is what is seen actually there, or not?  Does what is seen change or Arc as the character Arcs?

Here is a previous post on What Does She See In Him:
http://aliendjinnromances.blogspot.com/2009/08/what-does-she-see-in-him.html

Now we all know sex is about Power.  But Love is another topic altogether, and more about what you do with Power.

The Power dynamic underlies all Primate Relationships.  I'm assuming you all know that and have read a whole lot of primate studies, anthropology, The Rise And Fall Of The Roman Empire, and so on.

You know how Power -- the ability to Dominate, and the choice of when, where, and how emphatically to use that ability -- figures into all human endeavors.

The world your reader lives in is currently dominated by a Power Game that is all about tricking people into doing things against their best interests.

It's called PR -- Public Relations -- and I've discussed the mathematical underpinnings and history of this pervasive science of controlling people (you, your reader, your characters, whole governments, and reshaping the World Order).  It is the art of the Grifter and the Science of Merchandising.

From Wikipedia:
---QUOTE----
Ivy Lee and Edward Louis Bernays established the first definition of public relations in the early 1900s as follows: "a management function, which tabulates public attitudes, defines the policies, procedures, and interests of an organization... followed by executing a program of action to earn public understanding and acceptance."[citation needed] However, when PR pioneer Ivy Lee was later asked about his role in a hearing with the United Transit Commission, he said "I have never been able to find a satisfactory phrase to describe what I do."[4] In 1948, historian Eric Goldman noted that the definition of public relations in Webster's would be "disputed by both practitioners and critics in the field."[4]

In August 1978, the World Assembly of Public Relations Associations defined the field as

    "the art and social science of analyzing trends, predicting their consequences, counseling organizational leaders, and implementing planned programs of action, which will serve both the organization and the public interest."[5]

Public Relations Society of America, a professional trade association,[6] defined public relations in 1982 as:

    "Public relations helps an organization and its publics adapt mutually to each other."[7]

In 2011 and 2012, the PRSA developed a crowd-sourced definition:

    "Public relations is a strategic communication process that builds mutually beneficial relationships between organizations and their publics."[8]

Public relations can also be defined as the practice of managing communication between an organization and its publics.[9]

http://en.wikipedia.org/wiki/Public_relations
----END QUOTE----

Over about a century since 1900, the math and science behind manipulating people has gone from odd curiosity to major, serious, methodology for forcing large numbers of people to behave the way a small number of people prefer.  And this power has come into the hands of a small number of people who see nothing wrong with using the power of your subconscious against you and your best interests for the good of "society."

Think about the place of Publicity in our world.  Think about why it is that all these committees keep telling you that you have this or that problem in your town, your state, your job or the wages you get for the work you do, and then say just give that committee MONEY and they will solve the problem for you (by "supporting" this or that politician running for office.)

What does it mean "support" and why does it cost MONEY (especially the huge amounts of money they collect for political campaigns?)

"Support" is a euphemism for ADVERTISING.  It's not support at all -- because once such a Group spends that much money "supporting" by making and running ads, they expect (it's illegal ever to say it or write it down, but it happens) "access" to that politician.  And that means that the "supported" politician will do what the Group wants -- and that Group isn't necessarily bound to make the politician do what you want or expect.  You are, after all, the one being controlled, and the effectiveness of their control over you is measured by how much money you give them.

Now, read the Wikipedia quote and my last few comments -- that is a DEPICTION of the world your readers live in.  It defines what they will believe in your fictional depiction of your fictional universe -- and what else you will have to work to get them to believe temporarily.

Note that a depiction is a depiction as much because of what it leaves out as what it puts in.  Think of a caricature of a person's face -- a few lines suggesting other lines and planes that you fill in with your mind, and then you SEE the real person's image in the suggestion.

In Science Fiction, the plot is based on "action" (things people do that cause changes in their world).  The actions are usually taken on the basis of "science" (some extrapolation from the science that the reader is expected to know.)

Science Fiction is the playground for scientists -- after they do science all day, they take a "bus man's holiday" and play with science, way off the edges of what is known and into FICTION.

Science Fiction Romance has to have that element in it, but plot has to be driven by the RELATIONSHIP which is romantic in nature.

Today's romance novels usually include a lot of sex -- most often graphically depicted.

Yeah, novel-sex isn't real, but a depiction.  The reader has to fill in the picture. 

In a lot of Romance Novels, it's hate-at-first-sight not love, or at least not recognizably love.

The Conflict that generates the plot is in the Relationship.  The two forces that conflict to generate the plot are the male and female lead characters.

Very often, that conflict is a POWER STRUGGLE -- and the stakes of that struggle can vary enormously.  They might be fighting over a Throne, or control of an interstellar corporation, or influence over an AI, or for a Patent.  The possibilities are endless.

In a Power Struggle Plot, all the principles of Public Relations apply. 

So here are some headlines from which you can rip a story, a plot, a character, the stakes, and a major conflict as well as a multitude of themes.

http://www.businessinsider.com/7-ways-to-get-people-to-take-you-seriously-2014-5

That is advice on how to depict a character you want the reader to see as "in charge" or "powerful."  This is a portrait of your Alpha male or female.  That article tells you what attributes to give your POWER PLAYER to make readers believe that character is what you say he/she is.

--------QUOTE-----------
1. Let people talk about themselves.

People spend 60% of their conversations talking about themselves.

It feels good: Harvard researchers have found that talking about yourself activates the same brain regions as sex, cocaine, and a good meal.

"Activation of this system when discussing the self suggests that self-disclosure like other more traditionally recognized stimuli, may be inherently pleasurable," Scientific American reports, "and that people may be motivated to talk about themselves more than other topics."

Research shows that when people disclose information about themselves, they like each other more. It's also the primary way to form social bonds, or another way of saying it helps earn their respect. 

--------END QUOTE--------

Now come on - isn't that what your Mama taught you about "getting a man?" 

My question is, "Does this work on women, too?"

The 7th item in their list is not passive-aggressive tricky like item 1. 

But I think # 3 in their list is important for writers to incorporate into dominant character traits.

---------QUOTE----------
2. Win people over with the first introduction.

Esquire's Tom Chiarella perfectly captures how to make a great first impression. He writes:

    On the street, in the lobby, square your shoulders to people you meet. Make a handshake matter — eye contact, good grip, elbow erring toward a right angle. Do not pump the hand, unless the other person is insistent on just that. Then pump the hell out of their hand. Smile. If you can't smile, you can't be gracious. You aren't some dopey English butler. You are you.

Why is this important? Because paying full attention to someone is a way of showing respect, and social science confirms that we get respect when we give respect. Add that to the list of reasons that conscientiousness predicts success.

------------END QUOTE----

And here is a DEPICTION of an application of the PR principles of exercising POWER over others, regardless of whether it's really good for others or not.

http://www.businessinsider.com/how-starbucks-lures-customers-to-spend-2014-5

That one is about how STARBUCKS tricks people into buying things.  Grocery supermarkets do this, too, as do department stores. 

Mobile Advertising applies these principles.

I put articles such as these (and many others) into the Magazines I edit (or curate) on Flipboard.

You can find my Magazines at:
https://flipboard.com/profile/jacquelinelhmqg

It has a mobile app and a link on that page (big red link) leads you to the app you need if you have mobile devices.  Or you can read on a PC.

Because of the insane amounts of money available to political advertisers, the cutting edge of developing absolute power over large groups of people is currently with the Political Ad producers, directors, and the people using donated money to buy air time for ads supporting whichever side. 

Study the writing behind the political ads this season, and you will learn DEPICTION.

Those ads depict candidates -- they don't actually portray the candidates.  The ads are designed to lure you into filling in the gaps in the caricatures.  You imagine you saw what you most want to see.  It is the epitome of the grifter's art. 

Now, take your novel's Main Characters -- and write a POLITICAL AD presenting that character to the world he lives in.

Imagine your character running for public office in this current election.  What would the ads say?

What has this to do with Romance Novels?  Or Science Fiction Romance? 

The advertisers -- whether they're selling beer, Viagra, or people -- are attempting to use mathematically based skills to entice large numbers of people into a love-affair, a Romance, with whatever they're selling.

That's the nerve political ads try to hit (which is why negative ads often have negative effects, and yet they work because rough sex also sells). 

The political ads are designed to ignite a desire for affinity, to develop trust, to establish community.  And those are the opening moves in any "pick-up" that eventually leads to something serious.

To find your opening scene and opening line, study political ads that are designed to hook viewers and rivet attention.

Remember the A, B, C, D of RELATIONSHIP noted above.  It applies to political ad induced seduction romance as well.

You're writing fiction and so are the PR folks who spin out these ads (but they make more money).  They are using Science to create Fiction that entices you into a Romance.  How can you go wrong learning to do what they do for the Big Bucks?

Jacqueline Lichtenberg
http://jacquelinelichtenberg.com